A story of staggering scope and drama, Revolusi is the masterful and definitive account of the epic revolution that sparked the decolonisation of the modern world. On a sunny Friday morning in August 1945, a handful of tired people raised a homemade cotton flag and on behalf of 68 million compatriots announced the birth of a new nation. With the fourth largest population in the world, inhabiting islands that span an eighth of the globe, Indonesia became the first colonised country to declare its independence after the Second World War. Four million civilians had died during the wartime occupation by the Japanese that ousted the Dutch colonial regime. Another 200,000 people would lose their lives in the astonishingly brutal conflict that ensued - as the Dutch used savage violence to reassert their control, and as the Allied troops of Britain and America became embroiled in pacifying Indonesia's guerrilla war of resistance: the 'revolusi'. It was not until December 1949 that the newly created United Nations forced The Netherlands to cede all sovereignty to Indonesia, finally ending 350 years of colonial rule and setting a precedent that would reshape the world. Drawing on hundreds of interviews and eye-witness testimonies, David Van Reybrouck turns this vast and complex story into an utterly gripping narrative that is alive with human detail at every turn. A landmark publication, Revolusi shows Indonesia's struggle for independence to be one of the defining dramas of the twentieth century and establishes its author as one of the most gifted narrative historians at work in any language today.

Die plaag is tegelykertyd reisverhaal, avontuurverhaal, speurverhaal, natuurkundige artikel, letterkundige studie en historiese ondersoek. Die skrywer – 'n Belgiese joernalis – reis na Suid-Afrika op soek na die "dowwe spoor" van Eugene Marais, en word uiteindelik met veel meer as dooie historiese gegewens beloon. Die Nederlandse uitgawe van Die Plaag het die Debuutprijs vir 2002 verower en was op die kortlys van die Gouden Uil-literatuurprys vir 2002. Die vertaling van Van Reybrouck se Nederlandse teks in Afrikaans deur die bekende digter en omroeper doktor Daniel Hugo is ’n onmisbare toevoeging tot Afrikaanse lesers se kennis van die merkwaardige Eugene Marais se lewe. Hiermee word kultuurgoedere wat deur ’n Vlaming nagespoor en opgeteken is as ’t ware huis toe gebring.

In the wake of World War II, Indonesia was the first country to rid itself of colonial rule. The “Revolusi,� as it was known, precipitated the end of the colonial era and inspired independence movements all over the world. In this epic history, renowned scholar and celebrated author of Congo David Van Reybrouck vividly captures a period of extraordinary tumult and chaos to tell the story of Indonesia’s violent and momentous revolution. Encompassing several hundred years of history, he details the formation of the Dutch East Indies, the Japanese invasion that followed, and the young rebels who engaged in armed resistance once the occupation ended. British, Australian, and Dutch troops were sent to restore order and keep peace, but instead ignited the first modern war of decolonization. Written with extraordinary clarity and drama, and based on hundreds of interviews and eyewitness testimonies, Revolusi is a masterful history that reframes our understanding of post-colonialism.

A story of staggering scope and drama, Revolusi is the masterful and definitive account of the epic revolution that sparked the decolonisation of the modern world. On a sunny Friday morning in August 1945, a handful of tired people raised a homemade cotton flag and on behalf of 68 million compatriots announced the birth of a new nation. With the fourth largest population in the world, inhabiting islands that span an eighth of the globe, Indonesia became the first colonised country to declare its independence after the Second World War. Four million civilians had died during the wartime occupation by the Japanese that ousted the Dutch colonial regime. Another 200,000 people would lose their lives in the astonishingly brutal conflict that ensued - as the Dutch used savage violence to reassert their control, and as the Allied troops of Britain and America became embroiled in pacifying Indonesia's guerrilla war of resistance: the 'revolusi'. It was not until December 1949 that the newly created United Nations forced The Netherlands to cede all sovereignty to Indonesia, finally ending 350 years of colonial rule and setting a precedent that would reshape the world. Drawing on hundreds of interviews and eye-witness testimonies, David Van Reybrouck turns this vast and complex story into an utterly gripping narrative that is alive with human detail at every turn. A landmark publication, Revolusi shows Indonesia's struggle for independence to be one of the defining dramas of the twentieth century and establishes its author as one of the most gifted narrative historians at work in any language today.

FINALIST FOR THE CUNDILL PRIZE FOR HISTORY 'Not only deserves the description "epic", in its true sense, but the term "masterpiece" as well' Independent This gripping epic tells the story of one of the world's most critical failed nation-states: the Democratic Republic of Congo. Interweaving his own family's history with the voices of a diverse range of individuals - charismatic dictators, feuding warlords, child soldiers, and many in the African diaspora of Europe and China - Van Reybrouck offers a deeply humane approach to political history, focusing squarely on the Congolese perspective and returning a nation's history to its people.

Belgicum is a photo project about Belgium. It is not an objective representation of a country but rather a subjective photographical document in black and white. It's a journey of exploration into a small country in the heart of Europe, at the turn of the centuries. More than fifteen years Vanfleteren has wandered through and hunted in the 'Belgicum' territories, guided by emotion and by the love for his homeland. He made a journey through a scarred land, in search of the irretrievable identity of a country with the melancholic soul of an old nation. Over the past ten years, over 11,000 copies were sold of this international bestseller. Belgicum grew out to be a reference work in the Belgian history of photography. On the occasion of the tenth birthday of this cult book, it was reprinted. With text by David Van Reybrouck. Text in English, French and Dutch.

Democracy is in bad health. Against Elections offers a new diagnosis - and an ancient remedy. Fear-mongering populists, distrust in the establishment, personality contests instead of reasoned debate: these are the results of the latest elections. In fact, as this ingenious book shows, the original purpose of elections was to exclude the people from power by appointing an elite to govern over them. Yet for most of its 3000-year history, democracy did not involve elections at all: members of the public were appointed to positions in government through a combination of volunteering and lottery. Based on studies and trials from around the globe, this hugely influential manifesto presents the practical case for a true democracy - one that actually works. Urgent, heretical and completely convincing, Against Elections leaves only one question to be answered: what are we waiting for?

Where do our images about early hominids come from? In this fascinating in-depth study, David Van Reybrouck demonstrates how input from ethnography and primatology has deeply influenced our visions about the past from the 19th century to this day – often far beyond the available evidence. Victorian scholars were keen to look at contemporary Australian and Tasmanian aboriginals to understand the enigmatic Neanderthal fossils. Likewise, today’s primatologists debate to what extent bonobos, baboons or chimps may be regarded as stand-ins for early human ancestors. The belief that the contemporary world provides ‘living links’ still goes strong. Such primate models, Van Reybrouck argues, continue the highly problematic ‘comparative method’ of the Victorian times. He goes on to show how the field of ethnoarchaeology has succeeded in circumventing the major pitfalls of such analogical reasoning. A truly interdisciplinary study, this work shows how scholars working in different fields can effectively improve their methods for interpreting the deep past by understanding the historical challenges of adjacent disciplines. Overviewing two centuries of intellectual debate in fields as diverse as archaeology, ethnography and primatology, Van Reybrouck’s book is one long plea for trying to understand the past on its own terms, rather than as facile projections from the present. David Van Reybrouck (Bruges, 1971) was trained as an archaeologist at the universities of Leuven, Cambridge and Leiden. Before becoming a highly successful literary author (The Plague, Mission, Congo…), he worked as a historian of ideas. For more than twelve years, he was coeditor of Archaeological Dialogues. In 2011-12, he held the prestigious Cleveringa Chair at the University of Leiden.

Where do our images about early hominids come from? In this fascinating in-depth study, David Van Reybrouck demonstrates how input from ethnography and primatology has deeply influenced our visions about the past from the 19th century to this day - often far beyond the available evidence. Victorian scholars were keen to look at contemporary Australian and Tasmanian aboriginals to understand the enigmatic Neanderthal fossils. Likewise, today's primatologists debate to what extent bonobos, baboons or chimps may be regarded as stand-ins for early human ancestors. The belief that the contemporary world provides 'living links' still goes strong. Such primate models, Van Reybrouck argues, continue the highly problematic 'comparative method' of the Victorian times. He goes on to show how the field of ethnoarchaeology has succeeded in circumventing the major pitfalls of such analogical reasoning. A truly interdisciplinary study, this work shows how scholars working in different fields can effectively improve their methods for interpreting the deep past by understanding the historical challenges of adjacent disciplines. Overviewing two centuries of intellectual debate in fields as diverse as archaeology, ethnography and primatology, Van Reybrouck's book is one long plea for trying to understand the past on its own terms, rather than as facile projections from the present. David Van Reybrouck (Bruges, 1971) was trained as an archaeologist at the universities of Leuven, Cambridge and Leiden. Before becoming a highly successful literary author (The Plague, Mission, Congo...), he worked as a historian of ideas. For more than twelve years, he was co-editor of Archaeological Dialogues. In 2011-12, he held the prestigious Cleveringa Chair at the University of Leiden.